Beethoven: Concerto No. 3 in C Minor, Op. 37, II
Brahms: Concerto No. 2 in B-flat, Op. 83, I [live]
Liszt: B Minor Sonata
Ginastera: Sonata No. 1, Op. 22, I
“Among the pianists laying claim to Liszt as a central figure in their repertoires, Groh's fingers and sense of comprehension set a new modern standard.”
The Philadelphia Orchestra
Pianist Markus Groh gained immediate world attention after winning the Queen Elisabeth International Competition in 1995, the first German to do so. Since then his remarkable “sound imagination” and astonishing technique, have confirmed his place among the finest pianists in the world. European highlights this season include a performance with the Finnish Radio Orchestra, a tour with the Flanders Symphony, and a live television broadcast of Hindemith’s Piano Concerto under Hannu Lintu in Finland. In the U.S., Mr. Groh played recently on the Hayes Piano Series at Kennedy Center, in addition to concerto performances with the Harrisburg Symphony and the Florida Orchestra, which will complete his performance of the entire cycle of the Bartók piano concertos under the direction of Stefan Sanderling. He made his debut with the Saint Louis Symphony in November of 2014.
Mr. Groh has previously appeared with the symphony orchestras of Baltimore, Colorado, Cincinnati, Cleveland, Detroit, Florida, Fort Worth, Houston, Indianapolis, Jacksonville, Kansas City, Louisville, Milwaukee, National (Washington, DC), New Jersey, New Orleans, New York, Philadelphia, Rochester, San Francisco, Seattle, and Vancouver. Worldwide engagements include the Bamberg Symphony, Beijing Symphony, Berlin Symphony, Bournemouth Symphony, Budapest Festival Orchestra, Hague Residentie Orkest, Helsinki Philharmonic, London Symphony, MDR Orchestra/Leipzig Gewandhaus, Mozarteum Orchestra, New Japan Philharmonic, Orchestre de la Suisse Romande, Osaka Philharmonic, Royal Scottish National Orchestra, St. Petersburg Philharmonic, Stuttgart Radio Orchestra, and the Warsaw Philharmonic.
Among the conductors with whom Mr. Groh has collaborated are Jesus Lopez Cobos, Andreas Delfs, Ivan Fischer, Rafael Frühbeck de Burgos, Hans Graf, Miguel Harth-Bedoya, Marek Janowski, Neeme Järvi, Christoph König, Hannu Lintu, Fabio Luisi, Juanjo Mena, Ludovic Morlot, Kent Nagano, Jonathan Nott, David Robertson, Kwamé Ryan, and Stefan Sanderling.
A spellbinding recitalist, Markus Groh draws from the piano shapes, textures, and colors that one seldom hears in live performance. In addition to Kennedy Center, he has appeared at the Friends of Chamber Music Denver, Friends of Chamber Music Kansas City, Vancouver Recital Society, and at The Frick Collection in New York. Chamber music activities include regular tours with the Tokyo String Quartet, as well as a new piano quartet founded by members of the Berlin Philharmonic.
Widely acclaimed for his interpretations of Liszt, an all-Liszt CD (including the Totentanz and B Minor Sonata) was released by AVIE in 2006. Showered with rave reviews, it was also named “Editor’s Choice” in Gramophone Magazine. In the words of the Philadelphia Inquirer, “Among the pianists laying claim to Liszt as a central figure in their repertoires, Groh’s fingers and sense of comprehension set a new modern standard.” A highly acclaimed all-Brahms CD was released by AVIE in June of 2008. Other recordings include a CD of Debussy, Prokofiev, and Britten cello sonatas with Claudio Bohórquez on Berlin Classics and a CD of Liszt’s Totentanz with the Orchestre de la Suisse Romande, conducted by Fabio Luisi on Cascavelle.
A frequent guest at international festivals such as Grant Park, Folle Journée, Ruhr, Ludwigsburg, Bad Kissingen, and Schubertiade (Austria), Mr. Groh is the founder and artistic director of the Bebersee Festival near Berlin. He also appears frequently on radio and television in Europe, the US, Canada, Mexico, Brazil and Japan. A prize-winning documentary featuring Mr. Groh and a replica of Steinway’s first piano (built in 1836) on a recital tour traveling by horse and carriage was broadcast nationwide by ARD in Germany on three separate occasions in 2011.
Markus Groh was a student of Professor Konrad Richter in Stuttgart and Professor Hans Leygraf in Berlin and Salzburg. Mr. Groh has recently been named Professor of Piano at the University of the Arts in Berlin.
“Groh plays straight, just as God and Brahms instruct him…[he] now ranks at the top of the German tradition, a worthy heir to Backhaus, Edwin Fischer and Wilhelm Kempff.”
“Groh proved exceptionally well-suited to the giant task of Brahms’ Piano Concerto No. 2… Not for a second did Groh lose his cool. Instead, he devoured the piece with sparing gestures and the apparent ease of a complete virtuoso.”
Plain Dealer (Cleveland)