Martin Helmchen
Photo Credit: Giorgia Bertazzi
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  • Mozart: Sonata No. 12, K332, I
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  • Messiaen: Vingt regards sur l'enfant Jésus / Regard de l'esprit de joie
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“The conception was perfectly tailored to the lucid heat of the rising pianist Martin Helmchen, making an impressive Philharmonic debut with these performances … While Dvorák’s concerto is notorious for the discomfort it induces in its soloists, he never seemed to break a sweat, unleashing chromatic runs and laying down octaves with a style that was technically assured but also sly and nuanced …”

 

New York Philharmonic

NEW YORK TIMES

 

 

 

 

With his highly virtuosic yet unpretentious style, Martin Helmchen has become one of the great pianists of his generation.  Born in 1982, he has made a series of sensational U.S. orchestral debuts, beginning in 2011 at Tanglewood, playing the Schumann Concerto with the Boston Symphony Orchestra under Christoph von Dohnányi. In 2014, with the New york Philharmonic at Lincoln Center, he played a revelatory performance of the Dvorák Piano Concerto; in 2015, he made his Symphony Hall debut, performing Beethoven's Concerto No. 5 with the Boston Symphony Orchestra; and in 2016, he perfomed with the Chicago Symphony Orchestra, playing Beethoven's Piano Concerto No. 2. This past season, he debuted with the Mostly Mozart Festival Orchestra at Lincoln Center under Thierry Fischer, performing Mozart's Piano Concerto No. 25. During the 2017/2018 season, he will debut with both the San Diego and Kansas City symphonies.

 

Mr. Helmchen has also appeared with the symphonies of Dallas, Grand Rapids, Houston, Portland (Oregon), Saint Louis, and San Francisco, as well as with the Cleveland Orchestra at Blossom.  In May 2014, he made a highly acclaimed Washington, D.C. recital debut at Kennedy Center.

 

Among Martin Helmchen’s worldwide highlights are performances with the Berlin Philharmonic, Leipzig Gewandhaus Orchestra, London Philharmonic, Orchestre de Paris, Vienna Philharmonic, and the NHK Symphony in Japan.  Other international engagements include the City of Birmingham Symphony, Frankfurt Radio Symphony, Gürzenich-Orchester/Cologne, Orchestre Philharmonique de Monte-Carlo, Philharmonia Orchestra/London, Prague Symphony, and the Swedish Chamber Orchestra.  Artist-in-Residence with the Zurich Tonhalle Orchestra during the 2011/2012 season, he has also appeared with the BBC/London, Bournemouth Symphony, Deutsche Kammerphilharmonie/Bremen, Dresden Philharmonic, DSO/Berlin, Hallé Orchestra/Manchester, Giuseppe Verdi Symphony/Milan, NDR/Hamburg, Netherlands Philharmonic, Orchestre National de Lyon, Orchestre National de France, Royal Stockholm Philharmonic, Rotterdam Philharmonic, RSO/Berlin, and the Stuttgart Radio Orchestra, among others.

 

Mr. Helmchen has collaborated with such renowned conductors as David Afkham, Marc Albrecht, Herbert Blomstedt, Semyon Bychkov, Christoph von Dohnányi, Sir Mark Elder, Lawrence Foster, Edward Gardner, Valery Gergiev, Hans Graf, Manfred Honeck, Philippe Herreweghe, Pablo Heras-Casado, Marek Janowski, Michail Jurowski, Vladimir Jurowski, Bernhard Klee, Jiri Kout, Sir Neville Marriner, the late Kurt Masur, Andris Nelsons, Sir Roger Norrington, Andrés Orozco-Estrada, Christoph Poppen, Markus Poschner, Michael Sanderling, Heinrich Schiff, Marcus Stenz, Krzysztof Urbanski, Gilbert Varga, and David Zinman, to name a few.

 

Also an enthusiastic recitalist, Martin Helmchen has performed at prestigious venues around the world, such as The Frick Collection/New York, Carnegie’s Weill Recital Hall (with cellist Marie-Elisabeth Hecker), the Coast Recital Society, San Francisco Performances, ArtSpring, the Wigmore Hall/London, and the Alte Oper in Frankfort.  He also appears regularly at major German festivals, we well as the Schubertiade, Lockenhaus, and Marlboro.

 

With a passion for chamber music, largely ignited by his early collaborations with the late cellist Boris Pergamenschikow, Mr. Helmchen now performs regularly with Heinrich Schiff and Marie-Elisabeth Hecker.  Other partners include Juliane Banse, Veronika Eberle, Julia Fischer, Sharon Kam, Gidon Kremer, Sabine Meyer, Christian Tetzlaff, Lars Vogt, and Tabea Zimmermann.  Last summer he was invited to return to Elena Bashkirova's International Chamber Music Festival in Jerusalem.

 

An active recording artist, Martin Helmchen’s debut disc of Mozart concertos with the Netherlands Chamber Philharmonic was released in September 2007 through his exclusive contract with PentaTone.  A second Mozart concerto disc with the same orchestra was released in 2013.  His first solo CD, a recording of works by Schubert, won an ECHO Award in 2009.  Other discs for PentaTone include the Mendelssohn concertos, the Schumann and Dvorák concertos, and the highly acclaimed complete works of Schubert for violin and piano with Julia Fischer.

 

Mr. Helmchen studied at the Hochschule für Musik Hanns Eisler in Berlin with Galina Iwanzowa, at the Hochschule für Musik und Theater in Hanover with Arie Vardie, and with William Grant Naboré.   His career took off when he won the 2001 Clara Haskil International Piano Competition at the age of nineteen.  Other distinctions include a fellowship from the Borletti-Buitoni Trust in 2005, the Credit Suisse Young Artist Award in 2006, and participation in the BBC New Generation Artist program from 2005 to 2007.

 


 

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